This Punk is inspired by CryptoPunk #6747 and the work of Gubarev. In SupremePunk #054 we tried to depict the relationship between capital and nature. The Punk is obviously a collective image of the capitalist, so he has a distinctly human appearance. He has always been very precise and cold-blooded in his business decisions and has never made them on emotion. This fact is reflected in Punk's wide-open but vacant eyes. They seem devoid of emotion and focused on one goal - enrichment. and Punk's monocle helps him better see the best solution. Punk's headdress is inspired by the style of the wealthy capitalists of the 19th century.

Punk's clothes and skin consist entirely of what the capitalist draws his wealth from. Purple and blue are water, green is plants, brownish is earth and minerals, white is air. By using these things for personal enrichment, the capitalist is poisoning them. This is particularly evident in the production of most of the big capitalists of the 20th century-oil extraction is an endless siphoning of fossils and a parallel pollution of the environment. The black colour of their eyes is precisely what symbolises this oil.

Another symbol of capitalism, the smoking chimney, is pictured behind the Punk. Smoke is actively billowing from it in black. A colour which traditionally means death. In this way, industrial waste kills everything around it and poisons all living things. On the left is the sun, which is not visible because of the smoke. The sun as the lifeblood of all life is a sacrifice humanity is making for the sake of endless enrichment. The atmosphere is inspired by a painting by our contemporary Lukija Murina "Сoke oven Panorama", which also determined the gloomy background of Punk. The dark tones of the background imply all the pollution and damage that various plants and factories do to the world.

Punk 54 is the ideological antithesis of Punk 59. It represents capitalism and capitalists' irresponsible approach to conservation, while Punk 59 depicts the very nature suffering from pollution. Both 54th Punk and 59th Punk have no visible hands, which could be characterised as a desire to hide the consequences of the relationship between capitalism and nature. Everyone knows that manufacturing harms nature, but no one knows how much damage it could do to humanity and the planet in the future. SupremePunk #059 is stretching its arms in the hope of understanding and help. SupremePunk #054 in turn keeps his hands by his side, not showing them, to hide all the dirt and not to divulge his intentions.