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SupremePunk #098
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Non-objective
This Punk is inspired by the CryptoPunk #3849 and works of Vasily Kandinsky. Kandinsky is one of the pioneers of abstract art, the creator of many paintings and books about art, worked as a teacher at the Bauhaus.
Vasily Kandinsky — Disintegrated tension, 1930
The author of the SupremePunk was inspired by Kandinsky's painting "Disintegrated tension". It was painted in 1930 and demonstrates the growing compositional complexity of Kandinsky's paintings in the last years of the Bauhaus, when he continued to improve his art. The painting combines various strict geometric shapes with intentionally textured color spots and texture. The painting is one of Kandinsky's experimental works, in which he sought to achieve unexpected spatial and bright colors.
The overall composition of the SupremePunk repeats the work of Kandinsky. The work space is created using pastel, neutral color spots. The whole space is static and calm, almost completely symmetrical. Textured planes create a certain decorative effect to the work.
Guggenheim Museum in New York, Frank Lloyd Wright, 1959
The central element of the painting is static and resembles the texture of concrete in color. The overall shape is ovoid and resembles the iconic architectural building, the Guggenheim Museum in New York, built by Frank Lloyd Wright.Frank Lloyd Wright was the founder and chief theorist of Organic architecture.But he did not understand the word "organic" at all as belonging to nature and said the following: "The concept of organic in architecture for me is synonymous with integrity."
And the Guggenheim Museum in New York is the quintessence of this integrity. The architect himself compared the building to a sculpture, so smoothly here one floor flowed into another, and nothing hurt the eyes of visitors with a sharp change in shape. "The building seems to be cast from concrete all at once. This design gives a feeling of pure peace.
Just like the Guggenheim Museum, the painting can be compared to a sculpture, the forms on it are plastic and soft, and the colors are scattered and harmonious, they create a sense of planning.
Alexander Arkhipenko — Pierrot's Carousel, 1913
Just like the Guggenheim Museum, the painting can be compared to a sculpture, the forms on it are plastic and soft, and the colors are scattered and harmonious, they create a sense of planning. Many sculptors paid special attention to the color scheme of their sculptures. One of such sculptors is Alexander Arkhipenko. One of the innovations proposed by Archipenko and inherited by other sculptors was "sculpture-painting". The colors of the composition elements emphasize the relief, and the volumes, in turn, are complemented by color. Having felt the artistic value of the creations of long-time masters, Archipenko covered the surface of the elements with paints. In the famous early "Pierrot", which has features of Cubism and futurism, the sculptor does not separate color from form, as it happens in reality. The technique, once used by ancient, Egyptian and sculptors of other ancient civilizations, acquired a new avant-garde sound from Archipenko.
According to the color scheme, the SupremePunk stands out from the general collection, the colors are very harmonious, the artist built the composition in such a way that the canvas has a warm and cold side. But they are not opposed to each other, as the gray and white planes penetrate into the blue space. And it, in turn, sends its rays and inclusions to the gray-white background.
Mikhail Andrienko-Nechitailo — Composition, 1922
A similar technique of color consistency can be found in the work of Mikhail Andrienko-nEchitailo "Composition". The layering of a variety of irregular, mostly sharp-angled figures could give an absolutely abstract canvas a certain amount of aggressiveness. However, the softness of the palette, exquisite transitions of pastel tones negate this premise. In any work by Mikhail Andrienko, even in the most non-figurative, there is never not only chaos, but also any instability or instability.

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