SupremePunk #128
Tenebris Ut
This Punk is inspired by CryptoPunk #3669 and the the works of David Hockney. David Hockney's art demonstrates his experiments with various styles and media, as he worked not only as an artist, but also as an engraver and photographer. "I'm in the mood for Love" includes handwritten text, stenciled letters and numbers resembling graffiti. Despite the presence of distinctive elements of pop art, this work has an emotional depth that distinguishes it from other works related to the movement. Large strokes in the upper left corner, which are directed down to the figure, give this picture a special richness and thoughtfulness. The indistinct face of the central figure simultaneously engages the viewer in the intended narrative and leads to the search for meaning in symbols such as the red heart and the white crescent.
David Hockney — I'm in the Mood for Love, 1961
SupremePunk repeats the principles of David Hockney's painting. The composition of colored planes is depicted on an alienated black background. The mood of the painting is alienated and tense. The main center of the composition is expressed indistinctly, which brings a sense of incoherence and decay. The colors of the painting are not bright, but at the same time there are bright color circles that argue and stand out with the rest of the figures.
White excretory lines on the planes and their darkening create a sense of collage work. All the color planes seem to be glued on top of each other, and the imitation of the paper texture only supports this feeling.
Robert Rauschenberg — Turkish Baths, 1967
Pop art artists used similar techniques in their work. One of them is Robert Rauschenberg. The composition of his painting is based on a comparison of photographs taken from everyday objects and a fragmented black-and-white reproduction from a painting by J. D. Ingres "Turkish Baths" (1862-1863, Louvre, Paris). The provocative combination of a classic painting with everyday utensils is a typical example of late pop art. Ingres' choice was not accidental for Rauschenberg: he admired the French artist and constantly quoted his works in his works. The images used seem to have the same value, because both picturesque masterpieces and household items come from the world of reproductions. Rauschenberg's theme is the equation in the rights of any visual material that has been accomplished in modern culture.
Edward Hopper — The Midnighters, 1942
Due to the fact that the SupremePunk depicts a black, absorbing background, a feeling of alienation and loss is created. A similar technique was used in his works by the famous artist Edward Hopper. Edward Hopper is a representative of American genre painting, who became famous for his works celebrating the everyday life of America. His works, as a rule, are very simple in composition, but the techniques he uses show a high level of skill. "Midnighters" is Hopper's most famous work and one of the most recognizable paintings in the art of the twentieth century.
SupremePunk, like Hopper's painting, unconsciously creates a sense of human isolation and inner anxiety. Suprimpunk, with the help of means of artistic expression, absorbs the viewer's attention, and with the help of colors concentrates his consciousness on alienated thoughts that can frighten a person or create a feeling of inner blissful emptiness of consciousness.
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CryptoPunk #3669 that has been taken as a base
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